Before & After

Some of the music pages on this web site include a link to the original version of the song before I worked on it but here is a small sampling of a few songs, each song in a different style, each with a different selection of instruments added.

In each case, I’ve attempted to match the volume of the before version to that of the after version so that both versions at least peak at the same volume for a fair comparison. (click the song title to visit the page with the full finished version of each song)

music-notes-divider

 

Walk on Fire
by Tom Tognaci, Paul Battersby

This is an example of a song that started out as a good 1+1 song (1 instrument + 1 vocal) and was turned into a full band recording.

My additions: drums, bass guitar and an organ.

Tom also provided more vocals for the “after” version. Then I created the final mix.

Before (36 sec. sample):

After (36 sec. sample):

 

 

Orange And Bronze Colored Waltz
by Tom Gibson, Paul Battersby

This is another guitar + vocals song that was turned into a full production.

My additions: drums, bass, strings and flute

Before (41 sec. sample):

After (41 sec. sample):

 

 

No Way To Live
by Josh Howatt, Paul Battersby

This is an example of what was already a complete, full band song, that still needed just a little something extra. It already had strings but the strings needed to be more so I replaced the existing string section with a new one after Josh sent me a version of his mix without his strings. I then took Josh’s mix, adding my part and remixed the result.

My addition: strings

Before (35 sec. sample):

After (35 sec. sample):

 

 

Red Nose
by Gustavo Lopez, Paul Battersby

This is an example of a good piano instrumental that was enhanced by the addition of full orchestration.

My addition: full orchestra.

Before (48 sec. sample):

After (48 sec. sample):

3 comments on “Before & After
  1. Very tasteful work! You really did a remarkable job, especially with “No Way to Live” and “Red Nose”. The strings were a bit on the heavy side in the mix on “No Way to Live” for my taste, but it’s still really well done. Nice of you to give artists an idea of what things they can do to punch up their stuff. Thanks so much for sharing your work, both with the orchestral sample library and the Before and After examples. Much gratitude.

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